LIVE! PERFOMANCES

We are a liberal musical and theater arts group specialized in multiple arts disciplines ranging from African tourist sites creation, dance, music, opera, theatre, musical theatre, illusion, mime, spoken word and comedy, puppetry, circus arts, and performance arts. As a group, we adhere to the principle of democracy, positive change and development.

TOURING

Through the integration of our internal and external resources, our Group is flexible in ideas of operation as it strengthens the consciousness of innovation, production of competitive products and high-quality arts services. We actively participate in inter-African state and even global arts events, performances and competitions so as to make our group an enterprise playing leading roles in African arts while at the same time, advancing with the world.

EXCLUSIVE CONTENT

With arts reforms and innovation as our driving force, by deepening African arts reformation in its mechanism, optimizing the African entertainment industry structure and improving on our management, we aim at establishing an African modern enterprise system by promoting constant emerging of African fine art works and new talents in African art performances.

ARTISTE MANAGEMENT

We bring forth new ideas into production, propagation, circulation, consumption and investment mode of African art and performance works. This we do by getting through the upstream, midstream, and downstream of the African performance industry so that the core competence of our group can fully and greatly be boosted and appreciated worldwide.

ENTERTAINMENT NETWORKING

Further more, our Group holds on to the principles of “two orientations” (namely the orientations of artistically serving the African people using African democracy of socialism), “double hundred policy” (which contains the meaning that let a hundred flowers blossom and a hundred schools of thought contend), and “three closes to” (that is, close to the reality, close to the life, and close to the common people), and then meet the African public’s increasing demand for spiritual culture and tourism.

...DOWNLOAD FREE MUSIC FROM #BDBAE

...CONSTITUTION OF BLACK DIAMOND BEAUTY AFRICANA ENTERTAINERS


CONSTITUTION OF BLACK DIAMOND BEAUTY AFRICANA ENTERTAINERS

1.   Name

            The name of the group shall be Black Diamond Beauty Africana Entertainers

2.   Aim

            To preserve, protect and promote African arts, culture, tourism and to foster the unification of all African nations states into a United States of Africa using the power of arts as its main tool.

3.   Objectives

            Black Diamond Beauty Africana Entertainers will fulfil the aim by:

*        Improving the well-being of the African people, working together with them regardless of age, ethnic origin, ability, sex, belief or political affiliation, recognising the value of its many differences.

*        Involving the African people in the protection, preservation and promotion of the African arts, culture, tradition, tourism and participate in the global war against the ills of climate change.

*        Using purely ancient African approach in keeping the planet green, to carry out and promote environmental improvement and purely practical African conservation methods, educating, encouraging and supporting the African population through the use of arts in environmental practices by working with statutory and non statutory agencies.

*        Promoting the almost extinct African science of arts such as the science of fast and slow dance mostly applied in ancient African traditional ekpe society.
     
*        To raise funds and receive contributions where appropriate to finance the continental activities of Black Diamond Beauty Africana Entertainers

*        To publicise and promote Black Diamond Beauty Africana Entertainers cross continental activities through the public media
*        Open bank accounts for. Black Diamond Beauty Africana Entertainers
*        Make rules and standing orders for categories of Black Diamond Beauty Africana Entertainers members and their rights.

*          Take out insurances.

*        Organise meetings, training and educational courses and events strictly within the African continent.

*        Work with similar African groups aiming at preserving and promoting the African culture and fostering African unity, and exchange information and advice with them.

*        Take lawful actions which would help Black Diamond Beauty Africana Entertainers fulfil its aims and objectives.

4.   Membership

(a)       Membership of  Black Diamond Beauty Africana Entertainers shall be open to primarily African artists and any anyone interested in helping Black Diamond Beauty Africana Entertainers achieve its aim and objectives, also willing to abide by the rules of the group. Upon acceptance as member, members are henceforth recognized as African nationals and neither nationals of any other nation or African nation.

(b)    Every member shall have one vote at general meetings except authentic, recognized and registered artists who will have three votes.

(c)     Members of the Board of Trustees shall have the power to refuse membership to any applicant, where it is considered such membership would be detrimental to the aims, purposes or activities of Black Diamond Beauty Africana Entertainers.

(d)    Registration and termination of membership.

*          Any member of  Black Diamond Beauty Africana Entertainers may resign his/her membership and any representative of any member organisation or section may resign such position, by giving to the Secretary General of  Black Diamond Beauty Africana Entertainers a written notice to that effect.

*          The Board of Trustees may, by resolution passed at a meeting thereof, terminate or suspend the membership of any member, if in its opinion his/her conduct is prejudicial to the interests and objects of the Black Diamond Beauty Africana Entertainers, PROVIDED THAT the individual member or representative of the associated member organisation (as the case may be) shall have the right to be heard by the African Annual General Assembly before the final decision is made by the Board of Trustees.  There shall be a right of appeal to an independent arbitrator appointed by mutual agreement.

        
   (e)  Termination of membership
                            Termination of membership shall be by:
1.   Death
2.   Permanent disability
3.   Sanction
4.   Free volition through resignation

5. STRUCTURE AND FUNCTIONING OF BOARD OF TRUSTEES and Management of Black Diamond Beauty Africana Entertainers

Black Diamond Beauty Africana Entertainers as a liberal arts organization is strictly an association for artists. Therefore its board of trustees shall enjoy the majority of artists comprise:

-       80% legalised, registered and recognized artists earning author’s rights with acceptable work of arts already published that befits their composition as true artists. They have a majority right of vote three votes (3) as against other board of trustees members not known as artists with a single (1) single vote only. They are entitld to a natural shares of Black Diamond Beauty Africana Entertainers in the neighbouhood of 10%-20%.
-        10% None artists but professionals in other fields interested in the aims and objectives of Black Diamond Beauty Africana Entertainers.
-       10% None African nationals working towards the realization of the dreams of Black Diamond Beauty Africana Entertainers


(a)       Black Diamond Beauty Africana Entertainers shall be administered by the Board of Trustee of not less than ten (10) people and not more than fifteen (30) members elected at the group’s African Annual General Assembly, Board of Trustees Members must be at least 25 years old.


(b)    The officers of the Board of Trustees shall be:

         The Chairperson
         The Treasurer
         The Finance Secretary.

(c)     The Management Committee shall meet at least twice a year.

(d)    At least five (7) Board of Trustees members must be present for the Board of Trustees meeting to take place.

(e)    Voting at the Board of Trustees meetings shall be by show of hands on a majority basis.  If there is a tied vote then the chairperson shall have two, three or four exttra votes.

(f)     Members of the Board of Trustees shall have the power to set up sub-groups and working parties as deemed necessary who shall be accountable to the Board of Trustees.

6.   Finance

            (a)     Any money obtained by  Black Diamond Beauty Africana Entertainers shall be used only for Black Diamond Beauty Africanan Entertainers.

(b)    Any bank accounts opened for Black Diamond Beauty Africana Entertainers  shall be in the name of the Black Diamond Beauty Africana Entertainers.

(c)     Any cheque issued shall be signed by at least two of any three nominated signatures
(d)    The Board of Trustees will ensure that the group Black Diamond Beauty Africana Entertainers stays within the budget.



7.   Board of Trustees Meetings

(a)     The Board of Trustees shall meet as regularly as position depending on arising matters but at least (4) times each year
(b)    The quorum for a meeting shall be five (7).

(c)     The Board of Trustees shall be accountable to the members at all times.

(d)    All meetings must be minuted and made available to any interested party.

(e)    All Board of Trustees Members shall be given at least three (3) days’ notice of a meeting unless it is deemed an emergency meeting.
(f) Members of the Board of Trustees shall end alowances for each each offically announced meeting

8.   General Public Meetings

(a)     Black Diamond Beauty Africana Entertainers shall call at least two general public meetings each year with the participation of its entire African members, the purpose of these meetings is for the group to account for its actions and consider the regeneration and development of  Black Diamond Beauty Africana Entertainers according to  Black Diamond Beauty Africana Entertainers objectives.

(b)    The Chair of the group shall normally chair these meetings and in his absence, the deputy chair.

(c)     At least fourteen (14) days’ notice of such a meeting involving the entire continent must be given and advertised in at least five (5) public medias.

(d)    All meetings, including AAGA, must be minuted and made available to any interested party
(e)    The quorum for al African Annual General Assemblies is thirty (30).
9.   Black Diamond Beauty Africana Entertainers African Annual General Assembly

(a)     Black Diamond Beauty Africana Entertainers shall hold an African Annual General Asembly (AAGA) at not more than seven years intervals.

(b)    Where possible members shall be notified personally, otherwise notice will be deemed served by advertising the annual assembly in at least five public medias giving at least 14 days’ notice of the AAGA.

(c)  The business of AAGA shall include:

*        Receiving a report from the Chairperson of Black Diamond Beauty Africana Entertainers activities over the year.

*        Receiving a report and presentation of the last financial year’s accounts from the Treasurer and Financial Secretary on the financial situation of . Black Diamond Beauty Africana Entertainers

*        Electing a new Board of Trustees Members and considering any other matter as may be appropriate at such a meeting.

(d)    The quorum for Annual African Annual General Assembly shall be at least eight (30) persons of which no more than four (4) shall be committee members. Transportaion of eligible voting members from all over Africa shall be decided by members of the Board of Trustees

10. Alteration of the Constitution

(a)     Proposals for amendments to this constitution, or dissolution (see Clause 11) must be delivered to the Secretary General in writing.  The Secretary General in conjunction with all other officers of the Board of Trustees shall then decide on the date of a forum meeting to discuss such proposals, giving at least four weeks (28 days) clear notice.

(b)    Any changes to this constitution must be agreed by at least two thirds of those members present and voting at any African Annual General Assembly.

11. Dissolution

            The group may be wound up at any time if agreed by two thirds of those members present and voting at any general meeting.  Any assets owned by Black Diamond Beauty Africana Entertainers shall be returned to their providers, if they require it, or shall be passed on to another group with similar aims.


12.    Adoption of the Constitution

This constitution was adopted by the members present at the AAGA held the Cultural Center Complex of Calabar, Nigeria, West Africa of the United States of Africa on:


...WORD FROM THE FOUNDING CHAIRMAN #BDBAE


Mr. Agbor Martins the founding chairman had this to say about the Black Diamond Beauty Africana Entertainers:

Historically, many different cultures have come into existence. Through time however, higher and more influential cultures have emerged centering on rising new religions. Through a process of absorption of the varied and numerous lower cultures by the higher and more universally promoted and recognized ones, a consolidation of cultures have taken place. As a result, there are only four major remaining cultures left in the world today. They include: the Christian, Muslim, and Far Eastern (based on Buddhism, Confucianism, and Taoism) and Hindu. This convergence flow of history shows the trend towards the establishment of a one world culture. A social prophecy alerts us to prepare our minds to eventually be led by a single world culture in the soonest of time.

Should this happen, what becomes the fate of the African, Nigerian and Cross River State culture? The project Miniature Cross River State in Cross River State is aimed at fighting against adverse effects of the above global subsuming cultural tread that took its rise from the Middle Ages.

Since the culture of a people is their identity as it affords them due recognition, the indispensability of this project will soon be justified by its impacting vigorous and economic growth. Spreading on this horizon, the project’s regenerating impacts will in shortest possible delay be evidenced in its strong penetration in society, politics, and culture and above all, the economy of the state of Cross River, nation of Nigeria and the African continent.

The project aims at introducing a new African Renaissance in every aspect of its being, both educationally, scientifically, culturally and spiritually.

A practical example may be drown from our educational system were our pupils learn to despise even their own parents because according to Western belief and educational structures, parents are old-fashioned and ignorant.  Influenced by new Western thought patterns, there is nothing in our existing educational system which suggests to the pupil that they can still learn important farming techniques from their elders.

The result is that youths absorbs beliefs about witchcraft before they go to school, but does not learn the properties of local grasses; they absorb only the taboos from their families but does not learn the methods of making nutritious traditional foods. And from school, they end up acquiring knowledge unrelated to agricultural life. They acquire the worst of both systems.

Prior to independence, many Africans were socialized within indigenous contexts. At present, traditional institutions of customary law, land tenure systems, inheritance rights, and rituals are disappearing due to changes in power relations inherent in modern techno-industrial culture, resulting in the devaluing or erasure of indigenous African knowledge.

Indigenous knowledge encompasses what local people know and do, and what they have known and done for generations. These practices developed through trial and error, and proved flexible enough to cope with change. Much of this knowledge, however, has never been systematically documented and is subsequently being forgotten and replaced by "modern" education and technology.  The mission of Black diamond Beauty Africana Entertainers is to call back yesterday, contemporary trends and finally construct an object for African focus. And as we dare into this new dispensation of African restoration, "modern" education, the formal, Western-style educational system associated with Western thought will no longer be perceived by Western influenced African educators as better than indigenous knowledge, which is typically associated with folk knowledge and hence considered "inferior." The term "indigenous" refers to the complex, culturally diverse societies of Africa which have resulted from decades of immigration and integration.

Such a complex includes Christian and Islamic traditions, which vary greatly and cannot be separated from other indigenous practices. The modern folk dichotomy contributes to a widening gap between youth and elders in many rural African contexts and perpetuates a false perception that modernization is a unidirectional process.

A curriculum which divides "indigenous" knowledge from "modern" knowledge fails to teach students about the unique cultural patterns by which Westerners develop and advance their social worlds, and ignores the ways in which "modern" cultural beliefs and practices draws from folk and indigenous ways of life. Black
Today in culturally and religiously diverse African societies where the extended family system is giving way to urban style nuclear families, education can only be relevant if it provides individuals with the intellectual tools, moral values, and skills needed to cope with this changing situation. Diamond Beauty Africana Entertainer embodies the historic task of addressing these imbalances.

In the contemporary African world, there is a dichotomy between what is secular and what is religious.  People’s view of the universe has changed.  The world is no longer viewed in the religious sense but rather it is looked at as something to be totally exploited for the benefit of the human being.  Nature now is viewed in terms of exploitation of natural resources. Africans in the contemporary time should borrow a leaf from traditional Africa.  They should use African cultural heritage in preservation and rehabilitation of the environment that has been destroyed and degraded by selfish economic motives of few people.

The efforts of different organizations like Green Belt Movement, churches, United Nations Environmental program and world commission on Environment, to preserve and rehabilitate the environment should take into consideration the attitude of the Africans.  These efforts should learn from traditional ways of nature conservation and try to come up with modified attitudes suitable to the contemporary African world. The African worldview and beliefs that encouraged the sacredness of the universe and all created beings should be taken into consideration if contemporary Africa wants to preserve the environment.  African religious heritage, which links Africa with nature and God, should be the point of departure in preserving the environment.

Through the present project embarked upon by Black Diamond there will be a rehabilitation of African Traditional Religion and Philosophy since it is abundantly evident that Africans are notoriously religious by nature. This implies that religion permeates and penetrates the whole life of the African whose traditional religion typically integrated in its daily life. For the Africans there is no clear-cut separation between what is secular and what is sacred. Everything and every act are looked upon in a religious perspective.

 African religion centered on human person as passed down by the African ancestry is found in peoples’ daily activities. It is oriented towards preservation of life and promotion of whatever enhances life. In promoting life, African Traditional Religion is connected with the environment because it is through healthy environment that life is enhanced. Environment is part of life. As a communal religion, African traditional religion is concerned with whatever affects human life. As a result, Africans view the universe as a profoundly religious universe; hence they treat it as such. The Africans view the human person as part of the environment. Environment to an African means a whole life. Everybody then in traditional African culture had a religious and moral responsibility towards the environment. They knew that to destroy the environment meant to destroy the human person.

In the contemporary African world, there is a dichotomy between what is secular and what is religious. Upon the arrival of the Europeans in the African shores, Africans’ view of the universe underwent a dramatic changed. To the African, the world is no longer viewed in the religious sense but rather it is looked at as something to be totally exploited for the benefit of the human being.  This view has caused environmental problems in Africa, such as soil erosion, de-forestation, water pollution and desertification.

Africans view themselves as part of the environment. Man is conceivable only in this cosmic interweavement. This web of relation is what makes Africans view the earth as their mother and themselves as her children.

This means that, though God, humanity and nature are distinct concepts they are ontological categories that are interrelated and interdependent. Therefore plants, animals and other non-living beings are part of nature, which is the product of God’s creation deserving to be respected as much as human beings who are also part of nature. The relationships between persons and nature are rooted in God as the creator of all. So plants, animals, minerals and other inanimate beings form a unity and depend on each other. This is what makes Africans regard themselves as being in close relationship with the entire cosmos. Africans, especially in the traditional setting, were nature-oriented. A person in the African sense is the one who is in good relationship with nature.

In traditional African societies, many people believed that trees and forests were the manifestation of the power of the Supreme Being. They saw these things as ideal places to meet God. Traditional African societies had many shrines, which were associated with big trees such as fig trees and baobabs. These trees together with the vegetation around were preserved as sacred places for worship.
Traditional Africans in their purest past regarded trees, shrubs, grass and forests as valuable gifts from God. They respected big trees especially as a place to meet God. Thus, sacrifices and offerings were done under trees, stones, rivers and waterfalls.  Until today, it is a taboo to cut down certain trees in Africa because it is considered plants that embodies the sacredness of God.

The Africans did not attach much importance to trees and herbs just for spiritual purposes, but also because trees, herbs and plants in general were useful in enhancing human life. Apart from being symbols of God’s presence among people, trees were seen as medicine to man and animals. Trees, leaves, roots and grasses provided herbal medicines to human beings and to wild as well as domestic animals.

Apart from providing shade for various social gatherings, trees are also used for some purification ceremonies and rituals. The community protects trees used for this purpose. The wood, bark and leaves of trees may be used in, certain purification ceremonies, to avert supernatural misfortune

The Black Diamond Beauty Africana Entertainers Land and water concept in the miniature Cross River State
For traditional Africans particularly the Crossriverians, land and water were precious gifts from God the Creator. Africans have a strong connection with the land not only as an economic resource, but as a home, a place of sacrifice and offerings. When traditional African people struggled or fought for land, were not simply struggling or fighting for it economically but for social, moral, cultural and religious motives.

As land was strongly connected to life, then traditional African people had moral responsibility to take care of it. Land bound people together in one community. Its absence threatened to tear them apart. This was because for many Africans, land was communal property. Land belonged to the community and God allotted it to the community through ancestors. Land was respected because it produced plants, which sustains life in Africa.

In traditional African societies, animals were viewed as creatures of God. That is why many myths and stories use animals as main characters. They were respected as part of the whole creation. Some ethnic groups believed that fierce wild animals such as lions, leopards, buffalos, and elephants were just manifestation of the great power of God. Therefore, they would not kill them.

Some totemic beliefs and taboos helped in the preservation of some animal species. For example, some traditional African people who are named after names of animals were not allowed to kill or eat meat from animals and birds, which they were named after. They considered themselves to be bounded together by not eating the animals. They respected these animals. This attitude helped in preserving the animals.

As a practical religion, African Traditional Religion involves many beliefs and practices, traditions and customs, which are the ways the African people express their religion. Religious values beneath these beliefs, customs and traditions helped them to have a good relationship with their environment.

Conclusion
Prior to the advent of explorer into the African continent when Africans were united as one,  Africans were never faced with many environmental problems. Unfortunately however today, Westernized African activities cause environmental hazards, which have negative impact on human beings and other beings of the universe. The negative interaction of the human being with his environment affects negatively. This causes soil erosion, deforestation, pollution and desertification. Individualistic and utilitarian Western attitudes towards nature’s gift to Africa have led people to plunder the environment recklessly. People are after economic profit through natural resources rather than being responsible taking care of the resources. Land grabbing for economic use causes problems. The land grabbed is used recklessly in the way the owner desires.
The African worldview and beliefs that encouraged the sacredness of the universe and all created beings is now being taken into consideration by Black Diamond Beauty Africana Entertainers in order to preserve the environment. African religious heritage, which links Africa with nature and God is one of the points of departure in Black Diamond Beauty Africana Entertainers effort in preserving environment.
Africans revisiting their traditional religious heritage will henceforth recover the African spiritual wisdom, which has been affected by contemporary scientism, and draw from it what is proper and blend it with contemporary ways of environmental preservation. Since Black Diamond Beauty Africana Entertainers view Traditional religious education as important in environmental preservation, Traditional African education will henceforth be focused on preserving the sacredness of life and whatever enhanced it. We are proposing that contemporary Africa should borrow a leaf from traditional education systems as far as environmental conservation is concerned. African traditional education can be integrated in contemporary environmental studies. Like Asians, let Africans be Africans.